Mise-en-scène analysis of Hitchcock’s Rope and Rear Window

Alfred Hitchcock is one of the most influential suspense directors in the history of cinema. There are many reasons he continues to influence filmmakers as well as appeal to film lovers. Witty dialogue is not lacking from the majority of his scripts. The visual appeal in his films is so precise that most people do not even think that they never see the knife penetrating Janet Leigh’s character, Marion Crane, in Psycho (1960) this many years later. Yet, most people do not explore many of his films unless they explore his catalog. Rope (1948) is one of those films. 

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Rear Window Film Review

Today’s throwback review is about the film Rear Window (1954). Rear Window is by far one of this writer’s favorite films. During one of my film classes, I was lucky enough to see the film the way Hitchcock intended. This film is one of the Hitchcock films I had seen before the class. During the course, we also had to give reports on the various movies shown. Rear Window is the film I signed up for on the sheet being passed row to row.  

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Rope Film Review

In a lot of ways, Rope (1948) has inspired several feature films. Two that come to mind are Rear Window (1954) and Murder by Numbers (2002). Next week, I will post my Mise-en-scène analysis of Hitchcock’s Rope and Rear Window using Rope and Rear Window’s opening scenes

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